I, too, come here to be entertained. I come here to be moved. But my favorite nights in the theatre at not the ones where I left thinking about how much I loved it. . . . My favorite nights in the theatre are the ones where I left asking questions. Maybe getting into an argument – not about whether the show was good or not, but about whether we are good or not.
That is how Season on the Line begins, and to be perfectly frank, The House Theatre of Chicago‘s world premiere production of Season on the Line was one of my favorite theatrical experiences thus far in my life. I was entertained; I was moved; I loved it from the start – and it did make me ask questions. I thoroughly enjoyed myself, but it also caused me to think more deeply – about whether honesty is always truth, when it’s time to say no, what the theatre is for, the role of a director and the qualities of leadership, the relationship between art and critic, the relationship between art and ego in a theatre company, the impact that a review can have, and what happens when a chasing a review becomes more important than an artistic vision. Continue reading